This song made some interesting chart accomplishments. It hit # 1 on the Billboard Hot 100, the Billboard Hot Country Songs, and the Billboard Country Airplay charts all at the same time. It's a "triple-crown," and not only is that exceptionally uncommon, but it's also the first time it's been done by a woman. The song has had a ton of momentum and has become a fixture in both country and mainstream playlists, so I think this could be a cultural moment and not just a radio hi

UPDATED: Feb 8, 2026 with the actual music video, and a revision of the remix. One of the better, and less controversial tracks from "The Life Of A Showgirl," Opalite is a mid-tempo song with a strong hook and some great imagery. It also is the second-most listened to track from the album (after The Fate Of Ophelia which I remixed a couple weeks ago), and is also getting a fair amount of radio airplay. This is a more club-friendly version of the song, I kept with the Nu-Di

When this song came out, it immediately became a pop-culture milestone. It debuted in the top-5 on the Billboard charts and ended up being one of Tate McRae's most popular songs to date. Production-wise, it's got tight drums and synths doing the heavy lifting, but it's not very 4-on-the-floor and is more dreamy and shadowy. While I'm sure you pop DJ's get requests for it, it's not a good dance record. The hook and the attitude are great, though, and that makes a remix a gre

This song is everywhere! From A-rotation on Top-40 radio to trending TikTok audio, it's got a lot of chart momentum and it's bright and breezy sound is a breath of fresh air. The song kinda has a jazzy, bossa-nova vibe with airy drums, cocktail piano and jazz trumpet. It's really more wine-bar chic than dance-floor ready, so that left some room for a remix to add a more substantial low-end, a more consistent kickdrum, and some strong synths without changing what people alrea

"Mr. Brightside" is one of those songs that endures across decades. Whether you first heard it in 2004 or at a random bar last weekend, it keeps finding new life through parties, sports walk-ons, and the simple fact that everyone can't help sing along at full volume when it comes on. As of publishing it is still in Spotify's Top 50 Pop chart, so I felt it could use a refresh. Make no mistake, this version is a rather extreme departure from the original, and purists of the so

Bruno Mars' new song "I Just Might" has all the makings of an absolute classic. It's a crossover smash that already is clocking in multiple weeks at number one, and has broad appeal across multiple formats. You really can play this song anywhere. I sped it up to 121 bpm, added some scratching on the vocals, and redid the music to more of a grooving uptempo funk record. It still is faithful to the original while adding some energy and keeping the groove for those sets where y

Sabrina Carpenter is a star. After coming out of nowhere and striking gold with Espresso in 2024, she cemented her status by following up with a string of successive hits like this one. It's really catchy, but the country elements and honky-tonk vibe make it a bit odd for a dance floor. I increased the tempo to 132 BPM, made it more of an electro-funk-pop jam and really left the rest alone. If you're playing for a pop floor you might want to give this version a try.

The original version of this song is already so great. It's perfect for a dance floor as it is, so I figured if I was going to do anything with this, it would need to be different enough from the disco-inspired album version to be worthwhile. I'm a big fan of chiptune music and this remix borrows elements from chiptune, bitpop and mainstream EDM. The original tempo of 123 has been increased to 132 and it gives the song a bit more energy. I also added some crunchy DnB drums w

I'm a little late to the party on this song, and I liked the original, but it was a little too subdued to really rock a dance floor. I approached it with a pop-funk angle, with some New Jack Swing rhythms and think it came out decent. The song is bumped up to 115 bpm from the original 105 and has a more continuous groove for dancing instead of just being a head-bopper. Play the remix below.

This is such a fun song. Chappell Roan's music has been a breath of fresh air to the pop world, and I'm a big fan of the original version of this. It's been a while since it came out, and I have yet to hear a version that really goes on the harder-end of EDM with it. This version draws inspiration from artists like Tokyo Machine, using chiptune elements to create dubstep-style rhythms. It's not the right version to play for a mainstream room, but can bring a touch of pop to

This is such a fantastic song. The original version has elements of disco and funk, and I absolutely love it. The video is visually stunning with an epic appearance from Colman Domingo and really leans into the horror theme, perfect for a song that came out at Halloweentime. I wanted a little bit more of a Bass House vibe to it, so I added some heavy electronic elements and a drop near the end. The original is still my favorite but this is a nice alternative for the right ro

The surprise hit of Sony/Netflix's KPop Demon Hunters has really rocked both the streaming and music worlds! "Golden," the most popular song from the soundtrack even hit #1 on the Billboard Charts. The song is great and is extremely well produced. My taking a stab at a remix honestly does it no justice, and frankly, you should be playing the original version. But the original is in 12/8 time signature, a compound meter, which means beats are divided in to threes instead of f

I absolutely LOVE the original version of this song. It's oozing in 80's deliciousness. Doja Cat brings a modern flare to a pop track that could very well have been a Whitney Houston or Tina Turner song. I didn't really like any of the more EDM-oriented mixes of this song that were out, so I decided to make my own. It has two drops in it but tries to remain relatively faithful while still being fully replaced by harsher electronic instrumentation.

This was put together shortly after the release of Taylor's twelfth studio album, "The Life Of A Showgirl" and is the first track on the album. It's a decent choice to open the album with and due to its primary placement, one week after the album's release it was the most popular song from TLOAS and even has the radio spins to back that up. The original version has a decent dancefloor tempo at 124, but I felt it needed a bit of a boost to fit into a club set. This remix conta

My favorite song from " Short n' Sweet ", this song seems to have slipped between the cracks and hasn't gotten a lot of love. It's got a...

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